The Furious
Directed by Kenji Tanigaki
Xie Miao, Joe Taslim, Jeeja Yanin, Yayan Ruhian, Brian Le
“The plot is a kidnapping thriller you have seen a hundred times, but the fists are so fast and the fun is so genuine that you will forget to care.”

Sally's not done with you yet.
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The Review
Let us get the elephant out of the room first. Your story is 'ordinary man, kidnapped daughter, criminal network.' Congratulations. You have just described roughly forty percent of every action movie released since Taken hit theaters in 2008. Kenji Tanigaki, you had the audacity to hire Xie Miao, Joe Taslim, Jeeja Yanin, Yayan Ruhian, AND Brian Le, and the best origin story you could cook up was 'tradesman dad goes ballistic.' A tradesman. The man sells goods for a living. That is the civilian cover you picked for a cast that could dismantle a small army with their pinkies.
Now, here is where Cynical Sally has to put down her poison pen for a second, because 99 percent of critics on Rotten Tomatoes cannot be entirely wrong. An 8.6 average rating and a 90 on Metacritic are not participation trophies, those are receipts. RogerEbert.com called it 'a flurry of fists and devilish fun,' and The Wrap floated it as potentially the best action movie of 2026. The festival circuit agreed, sending this film through Toronto, Beyond Fest, Hawaii, the Red Sea, and finally letting it close out the Boston Underground Film Festival like a victory lap. That is not a movie nobody believes in. That is a movie everyone kept passing around like a secret.
The real crime here is not the film itself. It is Lionsgate waiting until June 12 to release something this good, after first promising it on May 29 and then blinking. A two-week delay for a 99 percent fresh martial arts showcase is the kind of move that makes fans consider piracy as a moral position. And yes, Starz subscribers, your day will come in roughly four months, so enjoy the spoilers in the meantime. The bright side: a 113-minute runtime means this thing does not outstay its welcome, and with a cast this loaded, every single minute earns its keep.
What It Nails
- +An all-star martial arts ensemble that reads like someone's dream casting wishlist: Joe Taslim, Jeeja Yanin, Yayan Ruhian, and Brian Le all in the same film is the kind of lineup that makes action fans physically emotional.
- +Critical consensus so overwhelming it borders on embarrassing: 99 percent on Rotten Tomatoes and a 90 on Metacritic means the film is genuinely delivering on its promises, not just riding hype.
- +A tight 1 hour 53 minute runtime proves Tanigaki knows better than to let the pacing sag. The film does not ask you to endure it. It dares you to keep up.
- +A genuine festival pedigree spanning TIFF, Beyond Fest, Hawaii, the Red Sea, and Boston Underground signals that critics who actually love cinema, not just multiplex crowd-pleasers, vouched for this one hard.
What It Botches
- -The premise is borrowed from a franchise that Liam Neeson has already run into the ground. 'Daughter kidnapped, father fights back' is not a story, it is a genre convention wearing a name tag.
- -Lionsgate bumping the US release from May 29 to June 12 without a compelling explanation is the kind of studio wobble that erodes audience trust, especially for a film with this much critical momentum already built up.
- -The Starz streaming window, arriving roughly four months post-release per Lionsgate's output deal, will almost certainly cannibalize theatrical legs among casual viewers who decide to simply wait.
- -With a cast spanning Hong Kong, Thailand, Indonesia, and the US, the English-language framing feels like a commercial compromise that could sand down some of the cultural specificity that makes Hong Kong martial arts cinema worth seeking out.

Think your work can survive this?
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Who It's For
Anyone who has ever rewound a fight scene three times and considers that completely normal behavior.
Who Should Skip
Viewers who need a twisty, original screenplay to justify buying a ticket, because the story here will not surprise a single one of your neurons.
Marketing Roast
Lionsgate, you are sitting on a 99 percent fresh action film with one of the most stacked martial arts casts assembled in years, and your big move was to quietly push the date back two weeks and let the festival buzz do the heavy lifting for you. Where is the urgency? Where is the campaign that screams 'Joe Taslim and Yayan Ruhian are in the same movie again and this time Jeeja Yanin showed up too'? That sentence alone is a trailer. Instead you gave us a release date change and a Starz deal that basically telegraphs the countdown clock to your own theatrical window. You are marketing a Ferrari by reminding people the bus route also gets there eventually.

Your turn. Drop something.
Drop a URL, screenshot, or file and Sally will give you the honest truth.
